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W.B. Yeats Twentieth Century Magus: An In-Depth Study of Yeat's Esoteric Practices and Beliefs, Including Excerpts from His Magical Diaries, by Susan Johnston Graf
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From the Back Cover
W.B. Yeats -- Twentieth-Century Magus is a comprehensive study of his magical practices and beliefs. Yeats moved through many different phases of spiritual development, believing that his life was an intellectual, spiritual, and artistic quest -- a quest greatly influenced by Celtic lore, Theosophy, Golden Dawn ceremonial magic, Swedenborg's metaphysics, the works of Jacob Boehme, and Neo-Platonism. For Yeats, writing poetry was an act of divine possession, and he believed that a perfected soul was the source of his inspiration, visiting him during times of superconscious awareness. Susan Johnston Graf meticulously documents and provides evidence that Yeats's poetry is a brilliant, lyric narrative of reality captured through the mind of a practicing magician working in the Western Tradition.
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Product details
Paperback: 240 pages
Publisher: Red Wheel / Weiser (June 1, 2000)
Language: English
ISBN-10: 1578631386
ISBN-13: 978-1578631384
Product Dimensions:
5.5 x 0.6 x 8.2 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#480,871 in Books (See Top 100 in Books)
A knowledgeable exploration of an often ignored, but fundamental, part of Irish poet WB Yeats's work: his spiritual beliefs, his participation in occult practices and how these influenced his poetry.Graf begins by examining Yeats' connection to the Golden Dawn society, then proceeds to how his work has been perceived in literary circles and then seamlessly marries Yeats' poetry to his spiritualism and mystical practices. For a reader with knowledge of the esoteric practices that Yeats took part in, there may appear to be some repetition of the explanations of the traditions and symbols of Yeats' occult society. But, for those readers who have no exposure to these practices, this may help them grasp the complexity of thought and spiritual beliefs that drove Yeats to create the visionary poetry that he did.Graf's calm acceptance of Yeats' occult beliefs, coupled with an intelligent and well-informed breakdown of how these motivate his poetry, is what makes this text a vital contribution to understanding Yeats as both poet and man.The detailed exploration of Per Amica Silentia Luna (1916), as well as Yeats other works, makes for an absorbing read. Graf does not gloss over areas of intellectual doubt; rather she challenges them and seeks answers to Yeats' more obscure texts in his spirituality. The result is an inspiring and fascinating look into the soul of a great literary figure and a deeper understanding of his poetry.
This book is wonderful for any serious student of Yeats. I could not have been happier with it, there are some hard to find stories included, I would say this is a must have.
Revealing view into Yeats' magical life.
Susan Johnston Graf has done something quite rare in Yeats criticism. She has examined the poets occult beliefs without prejudice, accepted them for what they were, and examined exactly what they might mean to his writing, without any snide disclaimers or protestations of disbelief which usually accompanies such studies.In the first fourth of the book Ms Graf gives a clear summary of W. B. Yeats's occult background in Theosophy, his long association with the Order of the Golden Dawn and its successors, his formation of several Celtic magical orders, and his later interests in spiritualism. The real core of the work is the detailed examination of Per Amica Silentia Luna (1916) perhaps Yeats's most understudied and most underrated book. Squeezing meaning from this work is rather like deciphering a coded document, because it is written in Yeats's most carefully crafted, measured, and completely deceptive prose. Many turns of phrases heretofore interpreted as poetic figures of speech by literary academics are revealed by Graf to be Yeats's own private esoteric terms with specific, concrete meanings. Most Yeats scholars have considered Per Amica to be an obscure prelude to A Vision (1925 and 1934), but Graf reveals it to be a unique and revealing work, in many ways expressing ideas much different and different from its better known cousin.The final chapters deals with the series of mediumistic experienced by Yeats bride Georgie (known as George) Hyde-Lees which began to occur four days after their wedding in October 1917. These mediumistic experiences, became the basics of Yeats's new "philosophy" published the two versions of A Vision, and became the underpinning of almost everything he wrote during the later period of his life.Graf's book forms a powerful antithesis to Brenda Maddox's recent odorous book Yeats's Ghosts (1999), which suggested that the entire visionary experience of Yeates was driven by the ticking of Mrs Yeats' biological time-clock, and that she faked the entire mediumistic experience to keep her husband's interest and to deliver instructions about their sex lives designed to produce pregnancy in the most efficient manner. Instead Graf advances a more reasonable thesis: that the Yeats were engaged in a form of sex magic, guided the supernal intelligences toward the creation of "children of a higher order," perhaps an Irish Avatar for the new age. This does not negate the ticking of George's time-clock, or her desire to have children as a motive, but recognizes and accepts the deeply held occult convictions of both of the Yeates.Graf's book may signal a new "middle ground" approach the Yeats's occult interests such as been recently applied to the history of Theosophy by K Paul Johnson and Joscelyn Godwin. If so, she has performed an invaluable service to the study of Yeats.
A fascinating read, the book is packed full of information and well laid out and is well worth the read if you want to learn about W.B. Yeats.
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